COVER STORY
A Collection Of Stories : an Interview with Jo Nambiar Art & Deal Correspondent Antiques bridge the disconnect with the past and stare at you with its vast baggage of stories. Art&Deal correspondent interviews the versatile antiquarian, Jo Nambiar, as…
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The Art Market Can Only look Northwards- Manoj Nair Despite the economic uncertainty and the significant drop in the value of the rupee, there is still a brimming hope and confidence in the Indian art market. Manoj Nair analyses the…
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K.G. Subramanyan: A Life Fully Lived Sandhya Bordewekar Sandhya Bordewekar in conversation with Prof. K G Subramanyan about his life as a student in Santiniketan. Sandhya Bordewekar: You went to Santiniketan in 1944, aged 20. Santiniketan was a long, long…
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THE ‘FAIR-Y’ QUEEN JOHNY ML When Neha Kirpal came back to India from London in 2007, she had a little money in her pocket and a bigger dream in mind. Driven by a vision to set up India’s first international…
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YES TO ART AND CULTURE JOHNY ML The incredible success of the partnership of Yes Bank and India Art Fair’s last year’s edition, has enticed and tingled the curiosity of the otherwise lethargic art market. This year, with new gusto…
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DELHI’S PRIDE AND MUMBAI’SENVY : INDIA ART FAIR PARAMJOT WALIA The 6th Edition of the India Art Fair is one unique venue for the galleries to flaunt their inventor, and also it is a cauldron of a variety of ideas….
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MATTERS OF THE FAITHFUL HEART SUSHMA SABNIS While Mumbai’s India Art Festival 2013 saw the participation of several galleries from the country, two elegant art galleries from Mumbai, Sakshi Gallery and Galerie Mirchandani + Steinruecke have chosen to specifically focus…
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MOVING FOCUS THE INDIA ART FESTIVAL 2013 Johny ML JohnyML: The third edition of India Art Festival has now moved back to the Nehru Centre. What is the reason for moving it from Bandra-Kurla Complex back to Nehru Centre? Rajendra:…
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ETERNAL QUEST Ravi Mandlik/ Rajendra Ravi Mandlik has emerged as one of the foremost abstractionists in the country today. He has served at his alma mater Sir J J School of Arts, as a lecturer between mid-eighties to mid-nineties after…
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Lina Vincent Sunish AN ARTS DISTRICT: WHO FOR? Hypothetically, there are two large and untouched audiences for an art district in Bangalore – one in the IT industry, and the other in schools. Perhaps 2014 is the time to involve…
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Sandhya Bordewekar Gallery-hopping in Vadodara and Ahmedabad ‘Mandi’ in Hindi means ‘market’ and in Gujarati with a soft ‘d’, it could mean ‘recession’. Mandi is affected by Mandi but in Ahmedabad and Baroda, galleries make all their best efforts to…
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Waswo X Waswo A Desirable Destination? the art district as social phenomenon If India’s urban art districts are to defy the cycle of flourish and decay, then politicians, community planners, gallerists and business leaders might want to keep an eye…
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Franck Barthelemy Judgement of Paris:Intelligent Art Districts Is Paris coming back 50 years after having lost its hegemony in contemporary art to the USA? With the thriving art districts in Paris that constitute the fifty per cent of the total…
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Johny ML Sculptures in the Open Open air sculptures are not strictly public sculptures but sculptures need open air to ‘breath’. K.S.Radhakrishnan, even when he conceives gallery based sculptures, thinks of the possible ‘open air’ where they could have a…
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Sushma Sabnis Enigma of Art Districts Mueller Bhavan, J. J. School of Art, Artist’s Centre, etc. The centre of this zone, the Kala Ghoda area, is flanked on either side by the private galleries and institutions which act as symbiotic…
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Johny ML Lado Sarai : Art District or a Street of Galleries? Analyzing the spatial logistics of Lado Sarai and Hauz Khas, gallerists’ dilemmas and the much lacking community ‘feeling’ required for the evolution of any art district, JohnyML highlights…
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Girish Shahane Riding on an Invisible Black Horse :Colaba Art District Pundole Gallery at Flora Fountain in the north, and Sakshi and Lakeeren at Arthur Bunder Road, the ‘Arab Quarter’ of Colaba in the south, Mumbai’s ‘Art District’ oscillates between…
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The ‘Metro ’Art in Delhi – Paramjot walia & Priyanka Tagore The population of Delhi has been estimated at 1.67 crore and approximately six million vehicles, with 1,200 more added daily. With auto rickshaws on the roads out to fleece…
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Mumbai Locals and the World of Art – Sushma SabnisThe linear tracks move parallel mostly, marrying and divorcing at times like star crossed lovers, while the metal compartments of a train untiringly carry ambitions, dreams, hope, memories, love, livelihoods and…
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‘Train’ing Public to Make a Visual ‘Platform’ for Themselves – H.A. Anil Kumar Around 1000 tickets, costing ten rupees each, were sold during the weekend recently, to watch an ‘art exhibition’ of puppets from various cultures. All the shows of…
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Namma Metro vs. Paris Metropolitan – Franck BarthelemyThe Bangalore metro is the latest addition to city public transport system. It was inaugurated in 2011. The city was then focused on utility and a massive amount of money was spent towards…
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London Tube : A True Platform for Art – Sandhya Bordewekar2013 is being celebrated as the 150th year of the London Underground, popularly known as the Tube because of the round tunnels through which the trains navigate the vast city…
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Vicky Roy: Artist and the Brand Chandan Gomes On many occasions, his work has been labelled as NGO photography. Such a definition, limits the scope of his expression, thus resulting in the artist being secondary to the brand. I strongly…
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Art Education: What No One Told You Yasra Daud Khoker The philosophy and art of Shishir Bhatt forms the adumbration of the emblem of self-education. Making art for over 30 years, and having learned through self-enquiry and exploration, he believes…
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An Inconclusive Autopsy on a Non-existent Corpse Waswo X. Waswo But there are differences of course, and I can dispute my own words. To understand those differences it is good to remember Stieglitz and the Photo-Secession movement he guided in…
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Framing violence, pain and others through the moving images of B.V. Suresh Aparna Roy Baliga Since 2001, B.V. Suresh has started working on videos. His very first work ‘Introspection’ is based on photographic stills from documentaries on the second world…
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Imaging their Subjectivity : Transsexuals and Photo graphy Siddharth Sivakumar After dealing with trans-sexuality from a diachronic perspective, in her Alice at Frederick’s of Hollywood, Mariette situates trans-sexuality in a synchronic time-frame. The image has captured the three representatives of…
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Contextualising the self in multiple traditions –a discussion on the paintings by Poushali Das Aparna Roy Baliga Poushali doesn’t only uses the traditional language but even the medium of tempera.She uses wash technique to get the subtleness required for her…
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Bringing a Macro World into Microcosmic Narratives Sushma Sabnis The breaking down of a system, blindly followed, led by an un-adaptable truth – a single truth or plural truths, depending upon the addressed issues, the choice of right versus wrong…
Art For The Young
Ramachandran’s books for children: A Belated Homecoming Siddharth Sivakumar Speaking about the future of illustrated children’s books in India, some years back, Ramachandran had said, “To discuss the future of children’s picture books in the Indian context is like discussing…
Book Review
ART reinterprets ART Sudha Punshi I found this book a great inspiration for creating and motivating thought, especially on two fronts i.e. the contemporary art scene and the future for art as the author sees it. The chapter on Indian…
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Slaying multiple Goliaths Sushma Sabnis his life, simply to shroud someone else’s intolerance, pettiness and fear. They felt there was more dignity in living a lie than expressing a truth. They even threatened to banish and exile him like M…
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The Chinese Rajesh Punj Zheng’s Buddha in Cage, Wutai Mountain, Shanxi Province, 1998, is more observation than animation, as a large marble statue of Buddha is photographed at the very edge of the precipice, against a thick curtain of fog….
A LETTER FOR YOUNG ARTISTS
The Business man, the Scholar , and the Hermit A Letter to Young Artists Waswo X. Waswo If you choose to eschew money and politics, if you devote yourself single-mindedly to your art, then, unless you were born independently wealthy,…
