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AN ENCHANTER’S WAND: PARESH MAITY’S VENICE“I travel all over the world and sometimes the same place offers many things to me. I have travelled to Venice many times over the past 20 years-and every time it is an intoxicating moment….
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MOTIFS, PATTERNS AND POLITICSThe ART OF ANINDITA BHATTACHARYAThough what strikes us visually is the referentiality towards the miniature tradition, Anindita Bhattacharya’s works need to be historically situated in the (post) lineage of the Baroda Narrative tradition. At the same time,…