An Exhibition of Photography by Asha Thadani

23rd November -7th January 2024

Curator- Mohan Vijayaraghavan

India Habitat Centre, Central Atrium, Lodhi Road New Delhi -3

The two most significant photographic exhibitions currently on display in the capital are one by Sanjay Das, in which he has captured the spirit of Bengal, and the other by Bangalore-based photographer Asha Thadani, who has recorded the Ten Dalit communities of India. and now I’ll be reviewing Asha Thadani’s solo exhibition.

In the heart of the bustling city, nestled within the walls of the Central Atrium of India Habitat Centre, an extraordinary photography exhibition titled “Broken (Dalit Lives)” takes visitors on a poignant journey through the lives of the Dalit community in India. This groundbreaking collection of images, captured by Accomplished photographer Asha Thadani, sheds light on the often-overlooked narratives and struggles of Dalit lives, offering a nuanced perspective that transcends the boundaries of traditional documentary photography.

As one enters the open exhibition space, the first striking element is the carefully curated arrangement of photographs. The exhibition unfolds across 10 panels, each meticulously dedicated to showcasing the diverse and often obscured facets of Dalit lives. The curator Mohan Vijayaraghavan, with an astute understanding of the power of visual storytelling, has crafted an immersive experience that transcends the boundaries of conventional narrative.

These panels serve as windows into the unseen suffering within the coal mines of Jharia, capturing the resilience of a community toiling in the shadows. Another panel vividly portrays the lives of boatmen and fishermen, offering a glimpse into the challenges faced by this Dalit community as they navigate their existence along the banks of the Sacred Ganga or Ganga ghat. The juxtaposition of these distinct panels creates a rich tapestry of experiences, weaving together the threads of struggle and triumph.

The exhibition takes a brave step in shedding light on the Joginis, the largest Dalit community in Telangana and Andhra Pradesh, who have been victims of sexual slavery. The curator’s choice to confront this harrowing reality emphasizes the exhibition’s commitment to unearthing the hidden layers of Dalit lives, exposing the systemic injustices faced by these communities.

Furthermore, the lives of Paraiyar Dalits find a poignant portrayal in another panel, adding depth to the narrative. Through the lens, the exhibition captures the essence of their existence, amplifying their voices and experiences. Each panel serves as a chapter, contributing to a larger narrative that transcends the visual and delves into the profound complexity of Dalit lives in India. The carefully orchestrated arrangement of these panels not only showcases the curator’s skill but also elevates the exhibition into a powerful testament to the resilience, diversity, and humanity within the Dalit community.

The layout ensures a seamless flow, creating a narrative that unfolds with each step. The dimmed lights at evening time enhance the emotional impact of the images, inviting visitors to immerse themselves in the stories that unfold through the lens.

One of the most thought-provoking segments of the exhibition is a series of images capturing Dalit women in various roles and settings. From the stoic resilience etched on the face of an elderly woman to the pain of young girls, these photographs challenge prevailing stereotypes and highlight the multifaceted nature of Dalit womanhood. The juxtaposition of strength and vulnerability creates a nuanced portrayal, shedding light on the intersectionality of their identities. These images are not merely for an art display; it is a powerful narrative that prompts reflection on the diverse tapestry of India and the resilience of its people.

The collection encompasses many subjects, from intimate portraits to powerful scenes of everyday life. Each photograph seems to carry a weight of untold stories, inviting viewers to engage with the lived experiences of the Dalit community. Asha Thadani’s skilful use of composition and lighting adds an artistic touch to the raw and unfiltered reality portrayed in these images.

One of the standout aspects of the exhibition is its dedication to presenting the diversity within the Dalit community. By capturing moments from various regions, occupations, and age groups, the photographer successfully dismantles stereotypes and challenges preconceived notions. Through this diversity, “BROKEN” highlights the rich tapestry of Dalit lives, celebrating their resilience and individuality.

The exhibition not only captures the external facets of Dalit lives but also delves into the emotional landscapes of the individuals portrayed. Photographs depicting expressions of joy, sorrow, and determination evoke a visceral response from the viewer, bridging the gap between observer and observed. The power of these images lies in their ability to transcend cultural and social barriers, fostering empathy and understanding.

Asha Thadani’s choice of black and white photography adds a timeless quality to the exhibition. Stripping away color emphasizes the universal themes embedded in the narratives, enabling viewers to connect with the subjects on a human level. The monochromatic palette also serves as a visual metaphor for the stark realities faced by the Dalit community, allowing the photographs to speak volumes without the need for words.

“BROKEN” also addresses the socio-political context surrounding Dalit lives in India. Images capturing the Protest of Ramnamis (Tatoo artists) community gatherings offer a glimpse into their past struggles for social justice and equality. These photographs serve as a powerful call to action, urging viewers to reflect on their roles in advocating for a more inclusive society.

In conclusion, “BROKEN” stands as a testament to the transformative power of photography as a medium for social change. Asha Thadani’s sensitive approach, coupled with the exhibition’s thoughtful curation, invites viewers to confront their biases, challenge stereotypes, and engage with the multifaceted reality of Dalit lives in India. As the journey of this unseen pain through these panels and visitors exit the Central Atrium, the echoes of these voices linger, leaving an indelible impression that transcends the confines of the exhibition space.