Title: The Eternal Resonance Between Indian Culture and Korean Culture—International Exhibition

Curated by: Minjoo Lee,

Duration: 27 June 2024–27 September 2024

Venue: Korean Cultural Centre India, 25 A Ring Road, Lajpat Nagar 4, New Delhi

Participating Korean artists

Minjoo Lee

Seongkyoo Jeon

Mansoo Lee

Eunsook Lee

Hojun Kim

Participating Indian artists

Shovin Bhattacharjee

Niren Sen Gupta

Kalicharan Gupta

Santosh Kumar Verma

Meena Deora

Held at the Korean Cultural Centre in New Delhi, the Eternal Resonance Between Indian Culture and Korean Culture is an international contemporary art exhibition that invites viewers to explore the profound and historical connections between India and Korea through the lens of contemporary art. Running from June 27 to September 27, 2024, this exhibition features various distinguished artists from both countries, offering a unique dialogue on cultural development and mutual appreciation.

The exhibition opens with a quote from the Director of the Korean Cultural Center India, which encapsulates the event’s spirit: “Korea and India share a bond and intimacy based on cultural similarities.” This statement serves as a guiding principle throughout the exhibition, which aims to highlight the shared histories and cultural exchanges that have shaped the relationship between the two nations.

The history of India-Korea connections dates back to 48 AD, when Suriratna, an Indian princess, married a South Korean monarch, initiating a new dynasty in Korea. Notably, the Indian state of Tamil Nadu and Korea share cultural, culinary, linguistic, musical, and dance similarities. However, the royal courts later introduced Buddhism to Korea, which eventually permeated other areas of society. In the late sixth century, Korean monks traveled along trade routes to China and India to study Buddhism. The Hangeul alphabet, which emerged as a result of this cultural exchange, bears similarities to the Indian Tamil alphabet and incorporates the ancient Indian concept of zero. With such a rich historical background, India and Korea reestablished diplomatic relations in the twentieth century.

The showcased artworks reflect a blend of traditional influences and modern expressions, creating a tapestry that honors both the past and the present. The exhibition is not merely a commercial venture but a cultural bridge that seeks to foster understanding and appreciation between Indian and Korean people.

Minjoo Lee, the curator of the exhibition and President of the Korea-India Contemporary Artists Association, presents works that delve into personal and universal themes. Her pieces, characterized by numerous brush strokes and intricate details, explore the emotional terrain of life, death, and familial bonds. Her studies at the College of Fine Arts, Seoul National University, and her extensive experience in international exhibitions in cities like New York, Shanghai, and Berlin form the foundation of Lee’s artistic journey.

Seongkyoo Jeon presents his “Narrow Road” series, symbolizing the journey to a “faraway place.” His paintings evoke a sense of travel and discovery, resonating with the exhibition’s theme of cultural exchange. Jeon, a professor at Mokpo National University, Korea, draws inspiration from his international experiences and his deep understanding of Korean and global art traditions.

Mansoo Lee, a professor at Sungshin Women’s University, Seoul, brings a scholarly yet deeply personal touch to his work. His academic background from Hong-ik University informs his artistic practice, which combines traditional Korean aesthetics with contemporary themes.

Eunsook Lee focuses on liberal expressions that seek to recover humanity’s innate wisdom and insight. Her paintings, influenced by her studies at the University of Pennsylvania, USA, and her global exhibition history, strive to reconnect viewers with the natural world and the deeper laws of nature.

Hojun Kim discusses the ever-changing nature of art in the age of AI. His works, created with a keen sense of painting’s tactile and immediate nature, argue for the enduring relevance of human touch in art. Kim’s academic journey through Seoul National University, where he earned his BFA, MFA, and Ph.D., shapes his thoughtful approach to contemporary artistic practice.

Shovin Bhattacharjee brings a different medium to the exhibition with his stainless steel sculptures. Known for their precision and meticulous craftsmanship, Bhattacharjee’s works highlight the challenges and rewards of working with unforgiving materials. His sculptures, celebrated both in India and abroad, reflect his innovative approach and his commitment to pushing artistic boundaries.

With numerous exhibitions under his belt, seasoned artist Niren Sen Gupta presents works deeply rooted in Indian culture. His pieces, showcased in prestigious institutions like the National Gallery of Modern Art and the Beijing National Museum, explore themes of spirituality and resistance, resonating with the exhibition’s focus on shared cultural heritage.

Kalicharan Gupta, a prominent figure in the Indian art scene, combines his academic background from Jamia Millia Islamia with a prolific career in exhibitions and workshops. His works, often published in international journals, bridge traditional Indian motifs with contemporary issues, reflecting his role as a cultural ambassador.

Meena Deora, a disciple of the eminent artist Rameshwar Broota, brings a refined sensibility to her paintings. Her participation in numerous art shows and camps across India and abroad, along with her prestigious awards, speaks to her dedication to her craft and her ability to convey deep emotional narratives through her art.

Santosh Kumar Verma, with his MFA from Banaras Hindu University, Varanasi, and his array of national and international awards, presents works that are both introspective and socially aware. His pieces, featured in many esteemed institutions, explore the complexities of human experience and cultural identity.

The Eternal Resonance exhibition serves as a testament to the enduring friendship between India and Korea. It highlights not only the historical connections, such as the tale of King Kim Suro and Princess Heo, but also contemporary collaborations that continue to enrich both cultures. The participating artists, through their diverse mediums and perspectives, offer a rich tapestry of experiences and expressions that underscore the exhibition’s theme.

This exhibition is a celebration of cultural resonance and artistic innovation, providing viewers with a profound understanding of how art can bridge geographical and cultural divides. The venue, the Korean Cultural Centre in New Delhi, is an apt location for such a dialogue, symbolizing the ongoing partnership and mutual respect between the two nations.

In conclusion, The Eternal Resonance Between Indian Culture and Korean Culture is not just an exhibition but a cultural event that reinforces the deep-rooted connections between India and Korea. It is a must-see for anyone interested in exploring the beautiful interplay of tradition and modernity, as well as the enduring power of art to foster understanding and unity.