Art Goes Beyond The Walls of Galleries by Suneet Chopra
When I wrote my last review of art in Delhi, I did not expect art exhibitions to take a leap forward so soon. But they have. To begin with, there is the exhibition of CIMA at the India Habitat Centre…
Concept and Visualization of Ragachitra: Gem Palace collection of the National Museum, Review of National Museum Public Lecture by Gaurav Kumar
The Professor and Head of the Department of History of Art, Director, and Pro Vice-Chancellor of the National Museum Institute of History of Art, Conservation, and Museology [soon it will be known as The Indian Institute of Heritage (IIH)], Prof….
Representational Intervention through Ecological Apparatus by Saraswathy K Bhattathiri
“You can take the boy out of the country, but you can’t take the country out of the boy” The famous English saying (debatable authorship) brings in notions of the postindustrial phase of human settlements using ‘country side’ as a…
Megha Joshi By Uma Prakash
The latest solo exhibition of Megha Joshi exhibition titled Rite of Passage was held at Studio Art Gallery (New Delhi). It had an eclectic quality riddled with traditional symbols. For Megha, the element from Hindu rituals along with decorative Islamic motifs is…
There Is No God In the Temple, Gallery Threshold by Jyoti A. Kathpalia
Titled after a line from Tagore’s poem Deeno Dan, the exhibition There is no God in the Temple by artist Shaurya Kumar is truly one of its kind. Born in Delhi, Shaurya Kumar moved to Chicago, US, in 2004, where…
The Visual Narrative of Valour in Harshnath Temple by Nikita Rathore
Hashnath Temple is situated on the Harsha Mountain in the Sikar district of Rajasthan. It is a tenth-century Shiva temple which was built by a Shaiva ascetic, Brahman Allata, during the reign of Chahamanas. The east-facing temple has a Garbhagriha…
Issue.183-184 Vol.20 No.150-151