Art Goes Beyond The Walls of Galleries by Suneet Chopra
When I wrote my last review of art in Delhi, I did not expect art exhibitions to take a leap forward so soon. But they have. To begin with, there is the exhibition of CIMA at the India Habitat Centre…
Concept and Visualization of Ragachitra: Gem Palace collection of the National Museum, Review of National Museum Public Lecture by Gaurav Kumar
The Professor and Head of the Department of History of Art, Director, and Pro Vice-Chancellor of the National Museum Institute of History of Art, Conservation, and Museology [soon it will be known as The Indian Institute of Heritage (IIH)], Prof….
Representational Intervention through Ecological Apparatus by Saraswathy K Bhattathiri
“You can take the boy out of the country, but you can’t take the country out of the boy” The famous English saying (debatable authorship) brings in notions of the postindustrial phase of human settlements using ‘country side’ as a…
Megha Joshi By Uma Prakash
The latest solo exhibition of Megha Joshi exhibition titled Rite of Passage was held at Studio Art Gallery (New Delhi). It had an eclectic quality riddled with traditional symbols. For Megha, the element from Hindu rituals along with decorative Islamic motifs is…
There Is No God In the Temple, Gallery Threshold by Jyoti A. Kathpalia
Titled after a line from Tagore’s poem Deeno Dan, the exhibition There is no God in the Temple by artist Shaurya Kumar is truly one of its kind. Born in Delhi, Shaurya Kumar moved to Chicago, US, in 2004, where…
The Visual Narrative of Valour in Harshnath Temple by Nikita Rathore
Hashnath Temple is situated on the Harsha Mountain in the Sikar district of Rajasthan. It is a tenth-century Shiva temple which was built by a Shaiva ascetic, Brahman Allata, during the reign of Chahamanas. The east-facing temple has a Garbhagriha…
People, Community and Choice by Krispin Joseph PX
Community is an influential idea, and the individual plays a seed of that notion; at the same time, where we come from and what we are, is a shaping question of many things, including philosophy, art and religion. “Who am…
Conversation between the psychological and the spatial An Interview with Indrapramit Roy By Gaurav Kumar
Indrapramit Roy is a teacher, a sporadic writer, and occasionally an illustrator. He is India’s most well-known contemporary artist and is known for being inspired by the conversation between the psychological and the spatial, in which he investigates the connection…
SANAT KAR (1935 – 2023) by Dr. Meghali Goswami
Prof. Sanat Kar, an eminent figure in Indian art, passed away peacefully on January 9, 2023, with the love of his family and loved ones surrounding him. Born in 1935 in West Bengal, he was an educator and an expert…
Tuwaiq Sculpture – Building on Beauty by Rajesh Punj
Riyadh is a city in Saudi Arabia deciding on its identity, the buzzword on everyone’s lips is ‘Vision 2030’, which carries with it the aspirations of legions of creative minds, that are brought in from abroad, Italy and Spain among…
“The muun, the dae and the eung dragon” (The Shaman, The River and The Water Dragon) by Saom Miriam Malommu
This magnum opus is titled ‘The Veil’, with the installation revealing a snippet of the story authored by the artist, “Remembering Teesta and the Water Dragon”, and published in Himalaya, The Journal of Nepal and Himalayan Studies. Alyen Leeachum Foning…
Just Stop Vandalism! — A Take on Modern Day Activism By Nandita V. Shastri
— June 30, 2022, Attached themselves to Van Gogh’s ‘Peach Trees in Blossom’ at the Courtauld Institute in London | July 1, 2022, Glued themselves to Turner’s ‘Tomson’s Aeolian Harp’ at the Manchester Art Gallery in Manchester | July 4,…
Plural India at Visual Arts Gallery from 18th to 23rd October
For serious art collectors, the process of editing their collection is as emotional an affair as it is to add. Anjani Kumar Singh, a prolific and avid art lover, who is the force behind the truly international Bihar Museum holds…
FLIGHTS OF FANCY: ABU DHABI ART – Rajesh Punj
With everything of our lives online for many months of the pandemic, and the visual becoming the video experience, a much anticipated return to the real has the 2021 edition of Abu Dhabi Art making up for lost time, with…
THE VENICE BIENNALE – Uma Prakash
Venice Biennale 59 was fascinating, invigorating and extremely engaging. Curator Cecilia Aleman’s Milk of Dreams shares its title with surrealist artist Leonora Carrington fantastic book and illustrations with the same name. It describes a constantly changing magical world brought about…
COMPANY PAINTING VISUAL MEMOIRS OF NINETEENTH-CENTURY INDIA- Gaurav Kumar
A lengthy black tattoo line running from a tribal woman’s nose up to her forehead may be a mark of her caste or tribe. She is carrying a parrot in her hand. The woman is dressed in a white sari…
WHEN THE NEEDLE IS THE BRUSH: IN CONVERSATION WITH GOPIKA NATH -Gaurav Kumar
A significant element of material culture is textiles. They might be considered as works of art, as cultural symbols, as technological objects, or as commodities. The textile arts reflect much of what is valuable in any society metaphorically. They are…
FLUID EMOTION: DISTILLED ECSTASY
DEVESHI GOSWAMI CAPTURES THE JUXTAPOSE OF FREE-FLOWING EMOTIONS AND THE FEELING OF ECSTASY THAT EMANATES FROM IT. Presented by Sanchit Art, the show will be held at Shridharani Gallery from 1st to 9th October. Her art resonates with the playful abundance of a…
Workshop on Shora Paintings—Reviving a Dying Art by Shanku Sharma
When one loves one’s Art no service seems too hard. –O. Henry The recently concluded three-day national workshop on Indigenous Art and Design Insight for promoting art and crafts for Barak Valley was an important and remarkable collaboration between the…
SHRINGĀRI – Upasana Bhattacharya
Sometimes I wonder, how overwhelmed a curator must feel, when he decides to put together a leviathan number of artworks, each outstanding, into one tangible assemblage. How does he screen, how does he eliminate, and how does he win his…
WEAVING AVANT-GARDE- – Krispin Joseph PX
Making textile is considered itself an art practice in antiquity. The continuing exercise of creating and transforming the richness of the cloth in the contemporary art world is an enduring activity. Weavers are indigenous art practitioners engaging with cultural settings…
EARTHLY MANIFESTATION OF LORD SRI VISHNU AT SRIRANGAM- Apurva Sinha
‘vede rāmāyane caiva purāne bhārate tathā ādāv ante ca madhye ca harih sarvatra gīyate’- Bhagavad Gita Imagine, you are in a meditative loop and you wait for the religious experience to happen which could be in the form of a…
THE REVIVAL OF THE TRIBAL MANADANA ART OF RANTHAMBORE: Ensuring sustainable livelihood to the downtrodden tribal women painters- Prof. Dr. Chinmay Mehta
When we go through the history of Modern Art we find how French modernists were liberated from the age-old conventional naturalistic and photorealistic trends in art. Modern French painters started exploring alternative art forms of other countries breaking all the…
FEMALE BIOPICS IN INDIA: ALTERNATIVE NOTIONS AND NEGOTIATIONS – Saraswathy K Bhattathiri
Life writing had entered formally intoliterary genre in the 18th century with the Life of Samuel Johnson by James Boswell but its earliest traces are as old as Plutarch’s writings on emperor Alexander. Biographies intend to focus on larger-than-life/ eminent…
EXPRESSIONS OF NATURE – Vikash Nand Kumar
“Painting from nature is not copying the object; it is realizing one’s sensations. Treat nature in terms of the cylinder, the sphere, the cone, everything in proper perspective.” -Paul Cezanne Nature has always fascinated mankind by its sheer beauty, power,…
Rita Jhunjhunwala presents a beautiful confluence of poetry and paintings in her solo exhibition ‘Bheegi Lakeerein’
24 th to 28 th September | Living Traditions Center (LTC), Bikaner House, New Delhi Celebrated artist Rita Jhunjhunwala presents her solo show BHEEGI LAKEEREIN at Living Traditions Center (LTC), Bikaner House that will be inaugurated on 23rd of September and…
People, Moments, Lives: Portraits by Sanjeet Chowdhury- Ranu Roychoudhuri
As a representational genre, portraiture has a long and diverse history provoking intellectual debates across cultures and generations of artists, subjects, patrons, curators, critics, and viewers. It manifests in varied media as one of the most versatile forms to visually…
In Conversation with “FOREST MAN” Bulu Imam-Gaurav Kumar
Padma Shri Bulu Imam is a gem that many people are unaware of. He is an archaeologist, a revivalist of tribal paintings, and the recipient of the Gandhi Foundation’s International Peace Award for his humanitarian efforts. He is a big-game…
How Women Became A Medium of Social Critique For Artist Bikash Bhattacharjee – Sneha Gautam
A mention of artist Bikash Bhattacharjee brings to mind the large repertoire of his spellbinding portraits, which depicted Bengali people from different classes and social milieus, especially women. Portraying his subjects with minute details of their form and depth in…
India Art Fair 2022: Celebration for enthusiast art lovers – Uma prakash
The 13th India Art fair held at NSCI was a wonderful celebration for enthusiast art lovers who flocked to the venue regardless of sultry weather and a revival of a few Covid cases. This much waited fair returned after two…
The Lost Pair – Saraswathy K Bhattathiri
Review on the solo show ‘Is Today Better than Yesterday’ by Surekha Sharada at 1 Shantiroad Studio/Gallery, Bangalore, 17th -24th May 2022. Surekha Sharada is a contemporary visual artist based in Bangalore. Her works have been exhibited in various national…
Rokeya Sultana – Gaurav Kumar
Exhibition of works and launch of monograph at Lalit Kala Akademi, National Academy of Art, Rabindra Bhavan, New Delhi, 6th -26th June 2022 This knee-buckling collection of more than forty years of Rokeya Sultana’s art, which is most known for…
ART MAGNUM & GOLF GREEN GALLERY PRESENT NIRMAYA SPARSA BRINGING BENGAL ART TO DELHI
A rich representation of master artists the show comes alive on 12th August 2022 at Shridharani Gallery. Art Magnum and Golf Green Gallery present ‘ Healing Touch (Niramaya Sparsa)’, a group exhibition featuring eminent modern and contemporary artists from Bengal and showcasing the cultural…
‘Can we Talk’ – a solo show by Mohd. Intiyaz at Method Kalaghoda
Date – Ongoing until 21st August Address –Method Kalaghoda – 86, Nagindas Master Rd, Kala Ghoda, Fort, Mumbai, Maharashtra 400001 Description – Many hardships are not unique, yet despite being a reality shared among many, things are difficult to talk about…
